2023 |
Morgane Taillefesse |
Dismantling and Rebuilding Ise-Jingū 伊勢神宮: a Material Study for Rethinking the Religious and the Secular in Japan |
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2022 |
Tomas Crean |
Tracing Levantine-Argentine Migration: The Social World of Yerba Mate and Trans-Atlantic Conviviality |
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2021 |
Natalie Campbell |
Identifying Mothering Experience in Prehistory: A multi-disciplinary approach |
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2020 |
Rebecca Langella |
The Youtube ‘Alt-right Pipeline’: exploring the interplay of human and algorithmic agency as productive of new sociotechnical spaces. |
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2019 |
Louise Rymell |
They Wunt Be Druv: How Burning Acts as a Medium for Kinship and Memorial in Lewes, Sussex |
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2018 |
Bhavana Tudladhar-Douglas |
Bahra from the Inside |
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2017 |
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no award
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2016 |
Lizzie May King |
Money Makers: Exploring the Economy of an Edinburgh Strip-Club |
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2015 |
Dominic Pollard |
“An attempt to tip the scales”: Instrument playing as a form of embodied capital in an English secondary school |
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2014 |
Alise Viba |
The rise of collaborative consumption: A critical assessment of resistance to capitalism and its ideologies of self and property |
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2013 |
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no award
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2012 |
Anica Lita |
The Camera-Viewer-Film Nexus: A Visual Exploration of Everyday Life in Romanian New Wave Cinema |
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2011 |
Avanzino Sara |
The value of things and the value of actions: Political and moral encounters at farmers’ markets in England, UK |
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2010 |
Adom Philogene-Heron |
Taming the Spider Man: From Anti-Colonial Hero to Neoliberal Icon |
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James West |
Football fans and friendship – Trust and the implications of ‘the masculine ideal’ for closeness in male friendships |
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2009 |
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no award
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2008 |
James McMurray |
The Mechanics of Syncretism: An Anthropological Study of Religious Change in Early-Modern Haiti and Classical Japan |
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Francesca Mezzenzana |
Anthropology Meets History: Some reflections on post-modernism, identity and the Other |
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2007 |
Anna Ruddock |
“Sorry”: An anthropological study of performative apology and its potential for collective healing |
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2006 |
Cy Elliot Smith |
The Mythos of Geodemographics: Archetypal Constructions ‘Of’ and ‘For’ a Panoramic Cultural Landscape |
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