Speaker: Hélène Neveu-Kringelbach, University College London Discussant: TBC Abstract:In the 1990s and early 2000s, much of the scholarship on the performing arts celebrated the new insights afforded by the transnationalism paradigm and the ‘mobilities’ turn. There was both enthusiasm and concern about the intensified global circulation of people, things, ideas and capital, as well as art forms. […]